where it hangs matters
By A Yahoo! Contributor, 18/06/2007
Seeing the work by Tracey Emin at the National Gallery brought back fond memories.
I had totally forgotten about this artist until now. Her ability to take simplistic drawing and use provocative supports gives the work more weight than would have been possible if it had been handle in a more traditional way. Emins work, for whatever reason seems to be more affected by its surroundings than most art, for good or bad, and this space was less than ideal. A group show that I saw in Berlin of Tracey Emin and Anders Stone had to be one of the strangest of all time. Emins work with over the top exposed women and Stones
deadpan voyeurism, all men, played alluring theatre in the room in which these pieces hung. The best part was that I came away thinking that it wasnt planned.
The best juxtapositions never are.